Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 5-8Indiana University Press, 1987 |
From inside the book
Niðurstöður 1 - 3 af 81
Síða 18
... . A dialectic is established between these two phenomena , the dialectic of change , which the historian of the past is as ill - equipped to deal with as the historian of the present . Even when the historian of 18 DISCOURSE.
... . A dialectic is established between these two phenomena , the dialectic of change , which the historian of the past is as ill - equipped to deal with as the historian of the present . Even when the historian of 18 DISCOURSE.
Síða 98
... ) . In the absence of a sufficiently trustworthy biography of E. , I submit this as a simple hypothesis . 52. In S.M. Eisenstein : Schriften 3 : " October . " 53. There are countless examples . I will give two 98 DISCOURSE.
... ) . In the absence of a sufficiently trustworthy biography of E. , I submit this as a simple hypothesis . 52. In S.M. Eisenstein : Schriften 3 : " October . " 53. There are countless examples . I will give two 98 DISCOURSE.
Síða 105
Aðrar útgáfur - View all
Common terms and phrases
Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation Roswitha scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing