Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 5-8Indiana University Press, 1987 |
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Niðurstöður 1 - 3 af 31
Síða 48
... diegesis and the enunciation . Of course , it should be clear that the very notion of ' diegesis ' is not absolutely relevant here , not so much because of the complexity of this embedding of sequences within each other ( after all ...
... diegesis and the enunciation . Of course , it should be clear that the very notion of ' diegesis ' is not absolutely relevant here , not so much because of the complexity of this embedding of sequences within each other ( after all ...
Síða 105
... diegetic functions have done more than any other ' deconstructive ' counter- strategy to challenge the traditional identification of diegesis with narrative , and narrative with a linear deployment of binary oppositions . The strategy ...
... diegetic functions have done more than any other ' deconstructive ' counter- strategy to challenge the traditional identification of diegesis with narrative , and narrative with a linear deployment of binary oppositions . The strategy ...
Síða 114
... diegesis and referent , where the referents become , if not unreal , then in some sense substitutable , with the filmic images occupying , between the ' timeless ' space of the verbal diegesis , and the historically specific referent ...
... diegesis and referent , where the referents become , if not unreal , then in some sense substitutable , with the filmic images occupying , between the ' timeless ' space of the verbal diegesis , and the historically specific referent ...
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Common terms and phrases
Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation Roswitha scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing