Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 5-8Indiana University Press, 1987 |
From inside the book
Niðurstöður 1 - 3 af 35
Síða 96
... critical object in symmetrical and binary paradigms ) . Both these characteristics of critical theory and practice have been identified with a " politics of otherness " in which opposition is al- ready defined and contained by the ...
... critical object in symmetrical and binary paradigms ) . Both these characteristics of critical theory and practice have been identified with a " politics of otherness " in which opposition is al- ready defined and contained by the ...
Síða 26
... critical difference from my- self . The first induces an attitude of temporary tolerance - as exemplified in the policy of " separate development " - which serves to reassure the conscience of the liberal establishment and gives a touch ...
... critical difference from my- self . The first induces an attitude of temporary tolerance - as exemplified in the policy of " separate development " - which serves to reassure the conscience of the liberal establishment and gives a touch ...
Síða 126
... critical dialogue , I was not expecting a critical avalanche that had the power in its intensity to crush spirit , to push one into silence . Since that time I have heard stories about black women , about women of color , who write and ...
... critical dialogue , I was not expecting a critical avalanche that had the power in its intensity to crush spirit , to push one into silence . Since that time I have heard stories about black women , about women of color , who write and ...
Aðrar útgáfur - View all
Common terms and phrases
Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation Roswitha scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing