Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 5-8Indiana University Press, 1987 |
From inside the book
Niðurstöður 1 - 3 af 19
Síða 33
... Roswitha's investigative efforts with a damning title , “ Under pressure from the work - force and the public , the management decides - independently of Roswitha and Sylvia - to scrap the planned closure . " In the context of the film ...
... Roswitha's investigative efforts with a damning title , “ Under pressure from the work - force and the public , the management decides - independently of Roswitha and Sylvia - to scrap the planned closure . " In the context of the film ...
Síða 34
... Roswitha's abortion work as individualistic and apolitical . Instead , her work as an abortionist is defined by the narrator as one of the film's precious contradictions , “ In order to afford more children of her own , Roswitha runs an ...
... Roswitha's abortion work as individualistic and apolitical . Instead , her work as an abortionist is defined by the narrator as one of the film's precious contradictions , “ In order to afford more children of her own , Roswitha runs an ...
Síða 36
... Roswitha's actions are necessarily intended as comedic . Instead , Kluge offers a different view of the female characters that populate his films : he idealizes the irra- tionality he has imposed upon them , praises the " chaos " from ...
... Roswitha's actions are necessarily intended as comedic . Instead , Kluge offers a different view of the female characters that populate his films : he idealizes the irra- tionality he has imposed upon them , praises the " chaos " from ...
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Common terms and phrases
Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation Roswitha scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing