Discourse, Bindi 5-81987 |
From inside the book
Niðurstöður 1 - 3 af 59
Síða 6
... Kluge's styles in The All - Round Reduced Personality - Redupers and Part - Time Work of a Domestic Slave respec- tively . While certain similarities immediately catch the viewer's eye- both use distancing devices such as voice - over ...
... Kluge's styles in The All - Round Reduced Personality - Redupers and Part - Time Work of a Domestic Slave respec- tively . While certain similarities immediately catch the viewer's eye- both use distancing devices such as voice - over ...
Síða 36
In interviews , Kluge himself has denied that the humor ridicules or demeans the character , indeed denies that Roswitha's actions are necessarily intended as comedic . Instead , Kluge offers a different view of the female characters ...
In interviews , Kluge himself has denied that the humor ridicules or demeans the character , indeed denies that Roswitha's actions are necessarily intended as comedic . Instead , Kluge offers a different view of the female characters ...
Síða 41
... Kluge was prone to justify the choice not to make a photograph : in a peculiar fetishization of “ lack of access " as a positive value , Kluge has chosen to frame the non - action as a touching testimony of the working - class faith in ...
... Kluge was prone to justify the choice not to make a photograph : in a peculiar fetishization of “ lack of access " as a positive value , Kluge has chosen to frame the non - action as a touching testimony of the working - class faith in ...
Aðrar útgáfur - View all
Common terms and phrases
Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation Roswitha scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing