Discourse, Bindi 5-81987 |
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Síða 10
Helke Sander and the Will to Change by Kaja Silverman The films of Helke Sander manifest so intense a preoccupation with and resistance to boundaries that they can perhaps best be read as border - crossings . Redupers ( 1977 ) , for ...
Helke Sander and the Will to Change by Kaja Silverman The films of Helke Sander manifest so intense a preoccupation with and resistance to boundaries that they can perhaps best be read as border - crossings . Redupers ( 1977 ) , for ...
Síða 41
... Helke Sander and the other edi- tors of frauen und film ( then newly formed ) attacked the film , they par- ticularly cited this stupidity which had been foisted upon the character . Kluge was prone to justify the choice not to make a ...
... Helke Sander and the other edi- tors of frauen und film ( then newly formed ) attacked the film , they par- ticularly cited this stupidity which had been foisted upon the character . Kluge was prone to justify the choice not to make a ...
Síða 99
... Helke Sander and Harun Farocki . Sander's films Redupers and The Subjective Factor have had several extremely searching and illuminating articles devoted to them . Among Far- ocki's films , Zwischen Zwei Kriegen ( Between Two Wars ...
... Helke Sander and Harun Farocki . Sander's films Redupers and The Subjective Factor have had several extremely searching and illuminating articles devoted to them . Among Far- ocki's films , Zwischen Zwei Kriegen ( Between Two Wars ...
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Common terms and phrases
Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation Roswitha scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing