Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 5-8Indiana University Press, 1987 |
From inside the book
Niðurstöður 1 - 3 af 30
Síða 10
Berkeley Journal for Theoretical Studies in Media and Culture. Helke Sander and the Will to Change by Kaja Silverman The films of Helke Sander manifest so intense a preoccupation with and resistance to boundaries that they can perhaps ...
Berkeley Journal for Theoretical Studies in Media and Culture. Helke Sander and the Will to Change by Kaja Silverman The films of Helke Sander manifest so intense a preoccupation with and resistance to boundaries that they can perhaps ...
Síða 37
... Helke Sander , whose film quotes the words of Christa Wolf , that is requisite . Helke Sander's The All - Around Reduced Personality -- Redupers , like Kluge's film , focuses on the issues surrounding a particular period of time in a ...
... Helke Sander , whose film quotes the words of Christa Wolf , that is requisite . Helke Sander's The All - Around Reduced Personality -- Redupers , like Kluge's film , focuses on the issues surrounding a particular period of time in a ...
Síða 99
... Helke Sander or Harun Farocki , whose awareness of sexual politics or political economy is crucially articulated ... Helke Sander and Harun Farocki . Sander's films Redupers and The Subjective Factor have had several extremely ...
... Helke Sander or Harun Farocki , whose awareness of sexual politics or political economy is crucially articulated ... Helke Sander and Harun Farocki . Sander's films Redupers and The Subjective Factor have had several extremely ...
Aðrar útgáfur - View all
Common terms and phrases
Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation Roswitha scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing