Discourse, Bindi 5-81987 |
From inside the book
Niðurstöður 1 - 3 af 39
Síða 75
... Fassbinder - sequence in Deutschland im Herbst / Germany in Autumn ( 1978 ) . For all the dissonance in this international chorus , a common refrain is that the scene is central to the entire omnibus film . In fact , the 26 - minute ...
... Fassbinder - sequence in Deutschland im Herbst / Germany in Autumn ( 1978 ) . For all the dissonance in this international chorus , a common refrain is that the scene is central to the entire omnibus film . In fact , the 26 - minute ...
Síða 83
... Fassbinder knew well . Clear connections to subsequent joint ven- tures such as Der Kandidat / The Candidate ( 1980 ) ... Fassbinder's contribution , the product of a recog- nized auteur , readily invites confusion . Given its three - fold ...
... Fassbinder knew well . Clear connections to subsequent joint ven- tures such as Der Kandidat / The Candidate ( 1980 ) ... Fassbinder's contribution , the product of a recog- nized auteur , readily invites confusion . Given its three - fold ...
Síða 35
... Fassbinder's work has been particularly susceptible to debate along the lines of critique and celebration . The Bitter Tears of Petra von Kant might be taken as a case in point . While Elizabeth Wilson stated that Fassbinder " relates ...
... Fassbinder's work has been particularly susceptible to debate along the lines of critique and celebration . The Bitter Tears of Petra von Kant might be taken as a case in point . While Elizabeth Wilson stated that Fassbinder " relates ...
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Common terms and phrases
Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation Roswitha scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing