Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 5-8Indiana University Press, 1987 |
From inside the book
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Síða 71
... Fassbinder's contribution to Germany in Autumn , see Eric Rentschler's essay in this issue . 10. Helke Sander , " Filmpolitik als Produktionspolitik , " Frauen und Film , No. 16 ( 1978 ) , pp . 48-49 ; Klaus Eder , Alexander Kluge ...
... Fassbinder's contribution to Germany in Autumn , see Eric Rentschler's essay in this issue . 10. Helke Sander , " Filmpolitik als Produktionspolitik , " Frauen und Film , No. 16 ( 1978 ) , pp . 48-49 ; Klaus Eder , Alexander Kluge ...
Síða 79
... Fassbinder allow us less than attractive glances at his own face . The camera lingers twice on reflections of the ... Fassbinder's inability to respond to the events transpiring outside his flat with anything but violent and self ...
... Fassbinder allow us less than attractive glances at his own face . The camera lingers twice on reflections of the ... Fassbinder's inability to respond to the events transpiring outside his flat with anything but violent and self ...
Síða 35
... Fassbinder's work has been particularly susceptible to debate along the lines of critique and celebration . The Bitter Tears of Petra von Kant might be taken as a case in point . While Elizabeth Wilson stated that Fassbinder " relates ...
... Fassbinder's work has been particularly susceptible to debate along the lines of critique and celebration . The Bitter Tears of Petra von Kant might be taken as a case in point . While Elizabeth Wilson stated that Fassbinder " relates ...
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Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation Roswitha scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing