Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 5-8Indiana University Press, 1987 |
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Niðurstöður 1 - 3 af 19
Síða 121
... Euphrosinia , but also with Ivan and Maliouta ( and Basmanov ) . This process of supersaturatng black with meaning ( vari- ously predicated , in contrast with the single meaning assigned to white ) ought to be examined throughout the ...
... Euphrosinia , but also with Ivan and Maliouta ( and Basmanov ) . This process of supersaturatng black with meaning ( vari- ously predicated , in contrast with the single meaning assigned to white ) ought to be examined throughout the ...
Síða 131
... Euphrosinia in the name of the boyars ' camp is part of the desperate struggle between them and Ivan and his following . ( And , from this point of view , the decapitated heads of the Kolytchevs will be one of Ivan's answers . ) It is ...
... Euphrosinia in the name of the boyars ' camp is part of the desperate struggle between them and Ivan and his following . ( And , from this point of view , the decapitated heads of the Kolytchevs will be one of Ivan's answers . ) It is ...
Síða 132
... Euphrosinia is abundantly manifested - in shot 43 , already mentioned , the moment when the death is decided , and in which the two of them share the shot ; but it is also shown in shot 13 , where Ivan has manifested his affection for ...
... Euphrosinia is abundantly manifested - in shot 43 , already mentioned , the moment when the death is decided , and in which the two of them share the shot ; but it is also shown in shot 13 , where Ivan has manifested his affection for ...
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Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation Roswitha scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing