Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 5-8Indiana University Press, 1987 |
From inside the book
Niðurstöður 1 - 3 af 32
Síða 46
... Eisensteinian fragment , as I hope to demonstrate , is not just any piece , not just any kusok . ( No more than it is just any " fragment " in French or in English . ) Therefore , there can be no question of con- cealing the definitely ...
... Eisensteinian fragment , as I hope to demonstrate , is not just any piece , not just any kusok . ( No more than it is just any " fragment " in French or in English . ) Therefore , there can be no question of con- cealing the definitely ...
Síða 55
... Eisensteinian concepts in the area of editing and shooting . In particular , so far as montage is concerned , we are still far from being liberated from the long prevalent image of " Eisenstein - the - editor , " king of the tinker toys ...
... Eisensteinian concepts in the area of editing and shooting . In particular , so far as montage is concerned , we are still far from being liberated from the long prevalent image of " Eisenstein - the - editor , " king of the tinker toys ...
Síða 94
... Eisensteinian theory . For Bon- itzer , the close - up is what " marks and remarks the discontinuity of film space and sweeps the vision , the image up in the substitutive movement of writing . " Curiously , the theme of the close - up ...
... Eisensteinian theory . For Bon- itzer , the close - up is what " marks and remarks the discontinuity of film space and sweeps the vision , the image up in the substitutive movement of writing . " Curiously , the theme of the close - up ...
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Common terms and phrases
Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation Roswitha scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing