Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 5-8Indiana University Press, 1987 |
From inside the book
Niðurstöður 1 - 3 af 12
Síða 6
... Cabaret is not endorsed by a number of female viewers , it is because " a ' correct ' woman's film on cabaret dancers would portray them as essen- tially passive , embittered victims of a patriarchal society . " The protagonists of the ...
... Cabaret is not endorsed by a number of female viewers , it is because " a ' correct ' woman's film on cabaret dancers would portray them as essen- tially passive , embittered victims of a patriarchal society . " The protagonists of the ...
Síða 59
... Cabaret , a documentary exploring the double lives of cabaret dancers in Bombay - their " normal " worlds by day , in which they worked as mothers or ayahs or sisters or ordinary working women , and their " polluted " world by night ...
... Cabaret , a documentary exploring the double lives of cabaret dancers in Bombay - their " normal " worlds by day , in which they worked as mothers or ayahs or sisters or ordinary working women , and their " polluted " world by night ...
Síða 64
... cabaret on film " ) , the dancers ( “ I'll have to ask my hubby ... my two children are in boarding school ... my in- laws are so traditional " ; " at home they think I'm a telephone operator ... I can't let you come home with me ...
... cabaret on film " ) , the dancers ( “ I'll have to ask my hubby ... my two children are in boarding school ... my in- laws are so traditional " ; " at home they think I'm a telephone operator ... I can't let you come home with me ...
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Common terms and phrases
Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation Roswitha scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing