Discourse, Bindi 5-81987 |
From inside the book
Niðurstöður 1 - 3 af 12
Síða 6
... Cabaret is not endorsed by a number of female viewers , it is because " a ' correct ' woman's film on cabaret dancers would portray them as essen- tially passive , embittered victims of a patriarchal society . " The protagonists of the ...
... Cabaret is not endorsed by a number of female viewers , it is because " a ' correct ' woman's film on cabaret dancers would portray them as essen- tially passive , embittered victims of a patriarchal society . " The protagonists of the ...
Síða 59
... Cabaret , a documentary exploring the double lives of cabaret dancers in Bombay their " normal " worlds by day , in which they worked as mothers or ayahs or sisters or ordinary working women , and their " polluted " world by night when ...
... Cabaret , a documentary exploring the double lives of cabaret dancers in Bombay their " normal " worlds by day , in which they worked as mothers or ayahs or sisters or ordinary working women , and their " polluted " world by night when ...
Síða 64
... cabaret dancers lead very itinerant lives and they leave no forwarding address . So I was really surprised one morning when a tremendously excited Rosy flew into my hotel room . She had read reviews of India Cabaret in the local papers ...
... cabaret dancers lead very itinerant lives and they leave no forwarding address . So I was really surprised one morning when a tremendously excited Rosy flew into my hotel room . She had read reviews of India Cabaret in the local papers ...
Aðrar útgáfur - View all
Common terms and phrases
Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation Roswitha scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing