Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 5-8Indiana University Press, 1987 |
From inside the book
Niðurstöður 1 - 3 af 20
Síða 82
... Buenos Aires is a Jewish town ! It differs from New York since you never see the ecstatic dancing of the hasidim ( with their corkscrew sidecurls ) . The Jews of Buenos Aires have lost their color . Yet , in fading , they have colored ...
... Buenos Aires is a Jewish town ! It differs from New York since you never see the ecstatic dancing of the hasidim ( with their corkscrew sidecurls ) . The Jews of Buenos Aires have lost their color . Yet , in fading , they have colored ...
Síða 87
... Buenos Aires is empty . The fright of this void is displayed in the text . It cannot be repressed or mystified any longer . It must be written to be believed.2 Vegetables It is true that the real gaucho , this proud man , independent ...
... Buenos Aires is empty . The fright of this void is displayed in the text . It cannot be repressed or mystified any longer . It must be written to be believed.2 Vegetables It is true that the real gaucho , this proud man , independent ...
Síða 93
... Buenos Aires , this was true " ( BA 38 ) . In this version of the past the tango is the exclusive invention of men : " Buenos Aires was a city of men : immigrants , gauchos - there were only men . It makes sense , therefore , that men ...
... Buenos Aires , this was true " ( BA 38 ) . In this version of the past the tango is the exclusive invention of men : " Buenos Aires was a city of men : immigrants , gauchos - there were only men . It makes sense , therefore , that men ...
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Common terms and phrases
Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation Roswitha scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing