Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 18Indiana University Press, 1996 |
From inside the book
Niðurstöður 1 - 3 af 44
Síða 26
... artist as he who remains true to himself and the timeless ideals of beauty becomes the means of representing Riefenstahl as ( male ) artist , outside history.14 This view of the artist gendered as male hero serves to absolve Riefenstahl ...
... artist as he who remains true to himself and the timeless ideals of beauty becomes the means of representing Riefenstahl as ( male ) artist , outside history.14 This view of the artist gendered as male hero serves to absolve Riefenstahl ...
Síða 38
... artist as ( masculinist , controlling ) paragon and woman artist as shameless or victimized collaborator . This polarity centers on control and loss of control , will and the loss of will , artistic pride and propagandistic shamefulness ...
... artist as ( masculinist , controlling ) paragon and woman artist as shameless or victimized collaborator . This polarity centers on control and loss of control , will and the loss of will , artistic pride and propagandistic shamefulness ...
Síða 41
... artist in the Early Modern period and the attendant tropes that have led to the prevailing con- ception of the “ absolute artist , ” see Soussloff , “ Lives of Poets and Painters in the Renaissance , " Word and Image 6 ( April - June ...
... artist in the Early Modern period and the attendant tropes that have led to the prevailing con- ception of the “ absolute artist , ” see Soussloff , “ Lives of Poets and Painters in the Renaissance , " Word and Image 6 ( April - June ...
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