Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 7-9Wayne State University Press, 1985 |
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Niðurstöður 1 - 3 af 54
Síða 105
... sound and image a different political significance , if only because television itself has largely deconstructed and rearticulated the rela- tion of sound and image of classical film . Sound motivates , focal- izes and cues image on ...
... sound and image a different political significance , if only because television itself has largely deconstructed and rearticulated the rela- tion of sound and image of classical film . Sound motivates , focal- izes and cues image on ...
Síða 106
... sound anchors the referentiality of the image ; in much avantgarde film - making , sound is the referentiality for the image . Such a formulation is de- liberately ambiguous , because it might suggest that , after all , in a Duras film ...
... sound anchors the referentiality of the image ; in much avantgarde film - making , sound is the referentiality for the image . Such a formulation is de- liberately ambiguous , because it might suggest that , after all , in a Duras film ...
Síða 108
... sound - track , what exactly is the function of the images ? The examples may be trivial , and the test of turning off the sound too simplistic to compare Filmkritik's arguments to Godard's ex- periments with separation of image track and ...
... sound - track , what exactly is the function of the images ? The examples may be trivial , and the test of turning off the sound too simplistic to compare Filmkritik's arguments to Godard's ex- periments with separation of image track and ...
Efni
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 4 |
A Conversation with | 66 |
Canadian Theory | 81 |
Höfundarréttur | |
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Adynata aesthetic American avant-garde become Bell Hooks body Buenos Aires camera Carnival context critical critique cultural cybernetic cyborg dance deconstruction desire diegesis diegetic discourse dominant ecological enunciation essay example eyes fantasy Farocki female feminism feminist fiction film theory filmic France Tour function gaze gender Godard Gravity's Rainbow Hayles Helke Sander holism human identity ideology imaginary India Cabaret Indian issue Lacan language Laura Mulvey Liberty Weekend Lili Marleen literary literature look Lyotard male meaning memory metaphor Minh-ha mirror mode myth narrator notion nuclear Oedipal opposition oppression organism performance political Porteño position possible postmodern present problem production Pynchon question relation represent representation semiotic sense sexual difference signifier silence social sound space speak spectacle spectator speech story structure Symbolic order tango textual threat tion tive traditional visual voice whole woman women word writing York