Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 7-9Wayne State University Press, 1985 |
From inside the book
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Síða 59
... narrator's voice can never be identified as ' the voice of truth ' ( a temptation already rejected in the most ... narration ) , film is not absolutely vowed to narration and to narra- tion only . This too simplistic idea has been much ...
... narrator's voice can never be identified as ' the voice of truth ' ( a temptation already rejected in the most ... narration ) , film is not absolutely vowed to narration and to narra- tion only . This too simplistic idea has been much ...
Síða 109
... narration itself — by eliding wherever possible their differences : the cases where classical narrative keeps them split ( as happens in a flashback structure , or with a diegetically present narrator ) merely confirm this , because ...
... narration itself — by eliding wherever possible their differences : the cases where classical narrative keeps them split ( as happens in a flashback structure , or with a diegetically present narrator ) merely confirm this , because ...
Síða 18
... narrator against the text metamorphoses into a violence of the text against the narrator . This violence emerges primarily as a kind of counter- terror of narrative conventions , while at the same time remind- ing us of the immutable ...
... narrator against the text metamorphoses into a violence of the text against the narrator . This violence emerges primarily as a kind of counter- terror of narrative conventions , while at the same time remind- ing us of the immutable ...
Efni
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 4 |
The View | 42 |
A Conversation with | 66 |
Höfundarréttur | |
4 aðrir hlutar ekki sýndir
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Adynata aesthetic American avant-garde become Bell Hooks body Buenos Aires camera Carnival context critical critique cultural cybernetic cyborg dance deconstruction desire diegesis diegetic discourse dominant ecological enunciation essay example eyes fantasy Farocki female feminism feminist fiction film theory filmic France Tour function gaze gender Godard Gravity's Rainbow Hayles Helke Sander holism human identity ideology imaginary India Cabaret Indian issue Lacan language Laura Mulvey Liberty Weekend Lili Marleen literary literature look Lyotard male meaning memory metaphor Minh-ha mirror mode myth narrator notion nuclear Oedipal opposition oppression organism performance political Porteño position possible postmodern present problem production Pynchon question relation represent representation semiotic sense sexual difference signifier silence social sound space speak spectacle spectator speech story structure Symbolic order tango textual threat tion tive traditional visual voice whole woman women word writing York