Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 7-9Wayne State University Press, 1985 |
From inside the book
Niðurstöður 1 - 3 af 59
Síða 38
... look depends upon an ironic parody , a limited return of the look , mak- ing her at the very least ambivalent in her status . Most significant in this context is Fassbinder's own appearance in Lili Marleen as the author and Resistance ...
... look depends upon an ironic parody , a limited return of the look , mak- ing her at the very least ambivalent in her status . Most significant in this context is Fassbinder's own appearance in Lili Marleen as the author and Resistance ...
Síða 53
... look . There is a radical difference between the uses of the look and the voice here : though both are involved in establishing an imaginary relationship between film and viewer , the voice ( Godard's voice , to be referred to the ...
... look . There is a radical difference between the uses of the look and the voice here : though both are involved in establishing an imaginary relationship between film and viewer , the voice ( Godard's voice , to be referred to the ...
Síða 4
... look of the feminine Orient re- writes the moment of unveiling only by partaking in the painter's sense of exoticism , an exoticism whose power lies in its secret , forbidden , and fleeting aspects . The look has beauty because it is a look ...
... look of the feminine Orient re- writes the moment of unveiling only by partaking in the painter's sense of exoticism , an exoticism whose power lies in its secret , forbidden , and fleeting aspects . The look has beauty because it is a look ...
Efni
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 4 |
The View | 42 |
A Conversation with | 66 |
Höfundarréttur | |
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Adynata aesthetic American avant-garde become Bell Hooks body Buenos Aires camera Carnival context critical critique cultural cybernetic cyborg dance deconstruction desire diegesis diegetic discourse dominant ecological enunciation essay example eyes fantasy Farocki female feminism feminist fiction film theory filmic France Tour function gaze gender Godard Gravity's Rainbow Hayles Helke Sander holism human identity ideology imaginary India Cabaret Indian issue Lacan language Laura Mulvey Liberty Weekend Lili Marleen literary literature look Lyotard male meaning memory metaphor Minh-ha mirror mode myth narrator notion nuclear Oedipal opposition oppression organism performance political Porteño position possible postmodern present problem production Pynchon question relation represent representation semiotic sense sexual difference signifier silence social sound space speak spectacle spectator speech story structure Symbolic order tango textual threat tion tive traditional visual voice whole woman women word writing York