Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 7-9Wayne State University Press, 1985 |
From inside the book
Niðurstöður 1 - 3 af 51
Síða 68
... language of a survivor is simply not heard the way it is spoken . It's especially not heard in films because the language of films is a very constructed language , the same way that the " reality " of a film is a fabricated one . The ...
... language of a survivor is simply not heard the way it is spoken . It's especially not heard in films because the language of films is a very constructed language , the same way that the " reality " of a film is a fabricated one . The ...
Síða 64
... language of sounds , of noise , of switching , of signals . It was the language of the rabbit , the caribou , the penguin , the beaver . A language of the past . Current runs through bodies and then it doesn't . On again . Off again ...
... language of sounds , of noise , of switching , of signals . It was the language of the rabbit , the caribou , the penguin , the beaver . A language of the past . Current runs through bodies and then it doesn't . On again . Off again ...
Síða 65
... language of the past because the electronic sounds , the noises , the switch- ing and the signals , recall the archaic language of sounds , the primordial sound - signals of the animal world . If one were to experience what Laurie ...
... language of the past because the electronic sounds , the noises , the switch- ing and the signals , recall the archaic language of sounds , the primordial sound - signals of the animal world . If one were to experience what Laurie ...
Efni
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 4 |
A Conversation with | 66 |
Canadian Theory | 81 |
Höfundarréttur | |
3 aðrir hlutar ekki sýndir
Aðrar útgáfur - View all
Common terms and phrases
Adynata aesthetic American avant-garde become Bell Hooks body Buenos Aires camera Carnival context critical critique cultural cybernetic cyborg dance deconstruction desire diegesis diegetic discourse dominant ecological enunciation essay example eyes fantasy Farocki female feminism feminist fiction film theory filmic France Tour function gaze gender Godard Gravity's Rainbow Hayles Helke Sander holism human identity ideology imaginary India Cabaret Indian issue Lacan language Laura Mulvey Liberty Weekend Lili Marleen literary literature look Lyotard male meaning memory metaphor Minh-ha mirror mode myth narrator notion nuclear Oedipal opposition oppression organism performance political Porteño position possible postmodern present problem production Pynchon question relation represent representation semiotic sense sexual difference signifier silence social sound space speak spectacle spectator speech story structure Symbolic order tango textual threat tion tive traditional visual voice whole woman women word writing York