Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 7-9Wayne State University Press, 1985 |
From inside the book
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Síða 4
... avant - garde . The logic of this antithesis has informed both alternative film practice and film theory . Thus from the late sixties to the mid seventies , the avant - garde increas- ingly expressed its " radical aspiration " 1 through ...
... avant - garde . The logic of this antithesis has informed both alternative film practice and film theory . Thus from the late sixties to the mid seventies , the avant - garde increas- ingly expressed its " radical aspiration " 1 through ...
Síða 6
... avant - garde practice predicated on the repudiation of story . ) I do not mean to suggest that during the past ten or fifteen years film theory has always subscribed to rigorous division of the avant- garde from popular cinema . As ...
... avant - garde practice predicated on the repudiation of story . ) I do not mean to suggest that during the past ten or fifteen years film theory has always subscribed to rigorous division of the avant- garde from popular cinema . As ...
Síða 8
... avant- garde can act upon those constructions and relations of meaning . As has often been remarked , every narrative effects a transforma- tion . Although classic cinema generally uses narrative to move the viewer from a condition of ...
... avant- garde can act upon those constructions and relations of meaning . As has often been remarked , every narrative effects a transforma- tion . Although classic cinema generally uses narrative to move the viewer from a condition of ...
Efni
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 4 |
The View | 42 |
A Conversation with | 66 |
Höfundarréttur | |
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Adynata aesthetic American avant-garde become Bell Hooks body Buenos Aires camera Carnival context critical critique cultural cybernetic cyborg dance deconstruction desire diegesis diegetic discourse dominant ecological enunciation essay example eyes fantasy Farocki female feminism feminist fiction film theory filmic France Tour function gaze gender Godard Gravity's Rainbow Hayles Helke Sander holism human identity ideology imaginary India Cabaret Indian issue Lacan language Laura Mulvey Liberty Weekend Lili Marleen literary literature look Lyotard male meaning memory metaphor Minh-ha mirror mode myth narrator notion nuclear Oedipal opposition oppression organism performance political Porteño position possible postmodern present problem production Pynchon question relation represent representation semiotic sense sexual difference signifier silence social sound space speak spectacle spectator speech story structure Symbolic order tango textual threat tion tive traditional visual voice whole woman women word writing York