Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 7-9Wayne State University Press, 1985 |
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Síða 47
... France Tour Détour Deux Enfants ( 1978 ) . Why Godard ? Certainly not because I would see him as representa- tive of a general trend or movement within modern film ; rather , because of the constant preoccupation of his work with the ...
... France Tour Détour Deux Enfants ( 1978 ) . Why Godard ? Certainly not because I would see him as representa- tive of a general trend or movement within modern film ; rather , because of the constant preoccupation of his work with the ...
Síða 56
... France Tour Détour consists in commenting in a way that imposes a precise and coherent meaning on the images . Such is predomi- nantly the case in the ' monsters ' section opening each episode . Here significations are ' superimposed ...
... France Tour Détour consists in commenting in a way that imposes a precise and coherent meaning on the images . Such is predomi- nantly the case in the ' monsters ' section opening each episode . Here significations are ' superimposed ...
Síða 65
... France Tour Détour , in terms of a circular image , variable in size , within the overall frame . This simple and immediate visual metaphor is accompanied on the sound track by a rather abstract statement on the ' dialectics ' of the ...
... France Tour Détour , in terms of a circular image , variable in size , within the overall frame . This simple and immediate visual metaphor is accompanied on the sound track by a rather abstract statement on the ' dialectics ' of the ...
Efni
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 4 |
A Conversation with | 66 |
Canadian Theory | 81 |
Höfundarréttur | |
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Adynata aesthetic American avant-garde become Bell Hooks body Buenos Aires camera Carnival context critical critique cultural cybernetic cyborg dance deconstruction desire diegesis diegetic discourse dominant ecological enunciation essay example eyes fantasy Farocki female feminism feminist fiction film theory filmic France Tour function gaze gender Godard Gravity's Rainbow Hayles Helke Sander holism human identity ideology imaginary India Cabaret Indian issue Lacan language Laura Mulvey Liberty Weekend Lili Marleen literary literature look Lyotard male meaning memory metaphor Minh-ha mirror mode myth narrator notion nuclear Oedipal opposition oppression organism performance political Porteño position possible postmodern present problem production Pynchon question relation represent representation semiotic sense sexual difference signifier silence social sound space speak spectacle spectator speech story structure Symbolic order tango textual threat tion tive traditional visual voice whole woman women word writing York