Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Útgáfa 24Indiana University Press, 1979 |
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Síða 99
... aspects , differ- ent " truths " of vision - but they see . The scientistic terms Vertov uses are attempts to express the purity of this seeing . This seeing sees through an aspect , the camera's incredible extent and capabilities or ...
... aspects , differ- ent " truths " of vision - but they see . The scientistic terms Vertov uses are attempts to express the purity of this seeing . This seeing sees through an aspect , the camera's incredible extent and capabilities or ...
Síða 102
... aspect of its seeing ( for Vertov ) , its manipula- tion of time and space . The intervals deepen the aspect of vision while not allowing the movements to be confined within them . One " sees " while knowing it is a certain kind of ...
... aspect of its seeing ( for Vertov ) , its manipula- tion of time and space . The intervals deepen the aspect of vision while not allowing the movements to be confined within them . One " sees " while knowing it is a certain kind of ...
Síða 110
... aspect - dawning without aspect - change . We become struck by what we are seeing , instead of seeing something else . Vertov uses an anarchic and “ anarchronic " organization of cin- ema . This organization , among other things , gives ...
... aspect - dawning without aspect - change . We become struck by what we are seeing , instead of seeing something else . Vertov uses an anarchic and “ anarchronic " organization of cin- ema . This organization , among other things , gives ...
Efni
Kneeling Angel with Mountainous Wings a k a Toward | 23 |
Because the Night A Sentimental | 38 |
Existence and Death DE | 63 |
Höfundarréttur | |
16 aðrir hlutar ekki sýndir
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