Discourse, Bindi 27,Útgáfur 2-32005 |
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Niðurstöður 1 - 3 af 28
Síða 30
... dead , too . Structurally , then , the postmortem photograph in this movie , proleptic as it is of the final revelation , becomes a figure for the act of speaking with the dead ( which , if Stephen Greenblatt is to be believed , is the ...
... dead , too . Structurally , then , the postmortem photograph in this movie , proleptic as it is of the final revelation , becomes a figure for the act of speaking with the dead ( which , if Stephen Greenblatt is to be believed , is the ...
Síða 31
... dead friend can only have been driven by the desire for financial gain . What is it , then , that makes such images so genera- tive of this most literal of photophobias ? Why do we resist that engagement with the dead ? 3. Looking at the ...
... dead friend can only have been driven by the desire for financial gain . What is it , then , that makes such images so genera- tive of this most literal of photophobias ? Why do we resist that engagement with the dead ? 3. Looking at the ...
Síða 64
... dead . Only the living experience death , but to experience death is not to be dead . To enter into one- self , whatever that might feel like , means that one is not dead and therefore one is not in oneself ; in other words , one is ...
... dead . Only the living experience death , but to experience death is not to be dead . To enter into one- self , whatever that might feel like , means that one is not dead and therefore one is not in oneself ; in other words , one is ...
Efni
Technology Aesthetics and Populism in The Gospel According | 3 |
G hosts Hostilities and Mediums | 21 |
Juan García Ponce and the Promise | 41 |
Höfundarréttur | |
8 aðrir hlutar ekki sýndir
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