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Síða 144
In Theory of Film , Kracauer presents filmgoers ' desire for life as a desire for the possibility of an existence beyond the merely biological and material . " Life " indicates that which makes values as such possible , a potential ...
In Theory of Film , Kracauer presents filmgoers ' desire for life as a desire for the possibility of an existence beyond the merely biological and material . " Life " indicates that which makes values as such possible , a potential ...
Síða 211
It is an opening trope of maturity and change but also desire : a desire to become geisha . In the stage performance , there is a carefully controlled balancing of shots by comparison . The camera moves gently from right to left as she ...
It is an opening trope of maturity and change but also desire : a desire to become geisha . In the stage performance , there is a carefully controlled balancing of shots by comparison . The camera moves gently from right to left as she ...
Síða 236
... emphasis that plays out in his facial gestures foregrounds the disjuncture between the skin color they desire for their child and his own skin color . This moment jars us out of the filmic construction of a seamlessly postracial ...
... emphasis that plays out in his facial gestures foregrounds the disjuncture between the skin color they desire for their child and his own skin color . This moment jars us out of the filmic construction of a seamlessly postracial ...
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Efni
The Meaning of Life MAY 0 3 | 135 |
Barebacking the Queer Male Subject and | 156 |
Waking Life and the Digital Aesthetics | 184 |
Höfundarréttur | |
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