Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 16,Útgáfa 2Indiana University Press, 1994 |
From inside the book
Niðurstöður 1 - 3 af 37
Síða 83
... visual dimension to the experience of repetition and tedium in the form of “ unwelcome attentions . " 12 The term bore- dom thus anticipates a visual economy of repetition notably absent from ennui , and a displeasure in being seen ...
... visual dimension to the experience of repetition and tedium in the form of “ unwelcome attentions . " 12 The term bore- dom thus anticipates a visual economy of repetition notably absent from ennui , and a displeasure in being seen ...
Síða 105
... visual signs of female passivity , vulnerability , and dependence are embedded in a long history of gender relations . Their filmic manifestations were fully developed and disseminated in the visual structures and codes of Hollywood ...
... visual signs of female passivity , vulnerability , and dependence are embedded in a long history of gender relations . Their filmic manifestations were fully developed and disseminated in the visual structures and codes of Hollywood ...
Síða 193
... visual conventions and critical perceptions . “ Corpus Delecti , " the book's most challenging chapter , extends this argument by setting up a tripartite comparison of Bataille's informe , Caillois's mimétisme , and Lacan's tableau ...
... visual conventions and critical perceptions . “ Corpus Delecti , " the book's most challenging chapter , extends this argument by setting up a tripartite comparison of Bataille's informe , Caillois's mimétisme , and Lacan's tableau ...
Efni
The Spaces of Sexuality and CRODICALS DEPT | 3 |
DISCOURSE 16 | 16 |
individuals | 25 |
10 aðrir hlutar ekki sýndir
Aðrar útgáfur - View all
Common terms and phrases
Aboriginal aesthetic American analysis appears artist attempt become blur body boredom bourgeois calls camera century cinema claim construction contemporary Cries critical culture Dash Daughters Deleuze desire difference discourse drawing Duchenne early effect emotions essay evidence example existence experience expression face facial fantasy female feminine feminist figure film gaze girl give hand human kind labor lack living logic look male meaning medical photography memory Moffatt mother movement narrative nature Night object painting Paris particular past photographs picture politics pose position possibility postmodern present production question refers relation remake representation represented response reveals says scientific seems sense sexual Sherman shock signs social space speak specific story Studies suggests takes theory thing thinking thought tion Trans truth turn vision visual woman women writing York