Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 16,Útgáfa 2Indiana University Press, 1994 |
From inside the book
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Síða 85
... takes the place of all the manifoldness of things and expresses all qualitative distinc- tions between them in the distinction of “ how much . ” ( 329- 30 ) — Although Simmel never uses the term distraction in this essay , the violent ...
... takes the place of all the manifoldness of things and expresses all qualitative distinc- tions between them in the distinction of “ how much . ” ( 329- 30 ) — Although Simmel never uses the term distraction in this essay , the violent ...
Síða 98
... Takes Command : A Contribution to Anonymous History . New York : Oxford UP , 1948 . Gunning , Tom . " An Aesthetic of Astonishment : Early Film and the ( In ) credulous Spectator . " Art & Text 34 ( 1989 ) : 31-45 . 99 Hansen , Miriam ...
... Takes Command : A Contribution to Anonymous History . New York : Oxford UP , 1948 . Gunning , Tom . " An Aesthetic of Astonishment : Early Film and the ( In ) credulous Spectator . " Art & Text 34 ( 1989 ) : 31-45 . 99 Hansen , Miriam ...
Síða 104
... takes pictures of herself , she is in control of her image . According to Lisa Phillips in the catalogue accompanying the 1987 Sher- man show at the Whitney : “ Because Sherman is both the subject and object of these fictions , actress ...
... takes pictures of herself , she is in control of her image . According to Lisa Phillips in the catalogue accompanying the 1987 Sher- man show at the Whitney : “ Because Sherman is both the subject and object of these fictions , actress ...
Efni
The Spaces of Sexuality and CRODICALS DEPT | 3 |
DISCOURSE 16 | 16 |
individuals | 25 |
10 aðrir hlutar ekki sýndir
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Aboriginal aesthetic American analysis appears artist attempt become blur body boredom bourgeois calls camera century cinema claim construction contemporary Cries critical culture Dash Daughters Deleuze desire difference discourse drawing Duchenne early effect emotions essay evidence example existence experience expression face facial fantasy female feminine feminist figure film gaze girl give hand human kind labor lack living logic look male meaning medical photography memory Moffatt mother movement narrative nature Night object painting Paris particular past photographs picture politics pose position possibility postmodern present production question refers relation remake representation represented response reveals says scientific seems sense sexual Sherman shock signs social space speak specific story Studies suggests takes theory thing thinking thought tion Trans truth turn vision visual woman women writing York