Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 16,Útgáfa 2Indiana University Press, 1994 |
From inside the book
Niðurstöður 1 - 3 af 26
Síða 85
... suggests that boredom is no longer the sole possession of a particular class ( as it was thought to have been in the eighteenth and nineteenth centuries , especially in the atti- tudes and practices of those who pursued “ an ...
... suggests that boredom is no longer the sole possession of a particular class ( as it was thought to have been in the eighteenth and nineteenth centuries , especially in the atti- tudes and practices of those who pursued “ an ...
Síða 89
... suggest , often gender specific . Brassaï , Madonna But if an aesthetics ( or , rather , an anti - aesthetics ) of boredom shares certain affinities with the avant - garde , it also shares char- acteristics with popular cultural ...
... suggest , often gender specific . Brassaï , Madonna But if an aesthetics ( or , rather , an anti - aesthetics ) of boredom shares certain affinities with the avant - garde , it also shares char- acteristics with popular cultural ...
Síða 140
... suggests a stifling scenario of entrap- ment , of failed expectation , of waiting . Perez concludes , " Dreaming of escape , they wait for whatever life will deliver them " ; " Night Cries shows what happens after Picnic . " As ...
... suggests a stifling scenario of entrap- ment , of failed expectation , of waiting . Perez concludes , " Dreaming of escape , they wait for whatever life will deliver them " ; " Night Cries shows what happens after Picnic . " As ...
Efni
The Spaces of Sexuality and CRODICALS DEPT | 3 |
DISCOURSE 16 | 16 |
individuals | 25 |
10 aðrir hlutar ekki sýndir
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Aboriginal aesthetic American analysis appears artist attempt become blur body boredom bourgeois calls camera century cinema claim construction contemporary Cries critical culture Dash Daughters Deleuze desire difference discourse drawing Duchenne early effect emotions essay evidence example existence experience expression face facial fantasy female feminine feminist figure film gaze girl give hand human kind labor lack living logic look male meaning medical photography memory Moffatt mother movement narrative nature Night object painting Paris particular past photographs picture politics pose position possibility postmodern present production question refers relation remake representation represented response reveals says scientific seems sense sexual Sherman shock signs social space speak specific story Studies suggests takes theory thing thinking thought tion Trans truth turn vision visual woman women writing York