Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 16,Útgáfa 2Indiana University Press, 1994 |
From inside the book
Niðurstöður 1 - 3 af 9
Síða 91
... remake , of course , is premised upon an internalized identification based on fantasy - not unlike other Madonna remakes of classic images , whether of Marlene or Marilyn , or of a film like Metropolis . The fantasy of sexual mobility ...
... remake , of course , is premised upon an internalized identification based on fantasy - not unlike other Madonna remakes of classic images , whether of Marlene or Marilyn , or of a film like Metropolis . The fantasy of sexual mobility ...
Síða 92
... remake is banal in its attempt to shock and provoke . The Brassaï images , moreover , revel in the sexually indeterminate as a source of relief from the anxiety of modernity , whereas the remake discloses a panic sur- rounding ...
... remake is banal in its attempt to shock and provoke . The Brassaï images , moreover , revel in the sexually indeterminate as a source of relief from the anxiety of modernity , whereas the remake discloses a panic sur- rounding ...
Síða 93
... remake as merely imagistic or simply banal — or , as Jameson might have it , " effectively a way of satisfying a craving for historicity , using a product that substitutes for and blocks it " ( Stephanson 18 ) . For there is a ...
... remake as merely imagistic or simply banal — or , as Jameson might have it , " effectively a way of satisfying a craving for historicity , using a product that substitutes for and blocks it " ( Stephanson 18 ) . For there is a ...
Efni
The Spaces of Sexuality and CRODICALS DEPT | 3 |
DISCOURSE 16 | 16 |
individuals | 25 |
10 aðrir hlutar ekki sýndir
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Aboriginal aesthetic American analysis appears artist attempt become blur body boredom bourgeois calls camera century cinema claim construction contemporary Cries critical culture Dash Daughters Deleuze desire difference discourse drawing Duchenne early effect emotions essay evidence example existence experience expression face facial fantasy female feminine feminist figure film gaze girl give hand human kind labor lack living logic look male meaning medical photography memory Moffatt mother movement narrative nature Night object painting Paris particular past photographs picture politics pose position possibility postmodern present production question refers relation remake representation represented response reveals says scientific seems sense sexual Sherman shock signs social space speak specific story Studies suggests takes theory thing thinking thought tion Trans truth turn vision visual woman women writing York