Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 16,Útgáfa 2Indiana University Press, 1994 |
From inside the book
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Síða 103
... give the purchaser a nostalgic sense of quality and durability . The second strategy is to come out with a “ new ” and " improved " product each year , giving the buyer a sensation of being on the cutting edge of progress . Sherman's ...
... give the purchaser a nostalgic sense of quality and durability . The second strategy is to come out with a “ new ” and " improved " product each year , giving the buyer a sensation of being on the cutting edge of progress . Sherman's ...
Síða 152
... give them their heritage , is also the film's gift to the audience and to African - American history . " I'm trying to learn ya how to touch your own spirit ... to give you something to take north with ya . Call on those old Africans ...
... give them their heritage , is also the film's gift to the audience and to African - American history . " I'm trying to learn ya how to touch your own spirit ... to give you something to take north with ya . Call on those old Africans ...
Síða 164
... give it a place in the image and composition , they succumb to an ambiguous force . There is , on the one hand , a raw , primal quality that brings the photographer face to face with the " real " he or she has chosen to capture . This ...
... give it a place in the image and composition , they succumb to an ambiguous force . There is , on the one hand , a raw , primal quality that brings the photographer face to face with the " real " he or she has chosen to capture . This ...
Efni
The Spaces of Sexuality and CRODICALS DEPT | 3 |
DISCOURSE 16 | 16 |
individuals | 25 |
10 aðrir hlutar ekki sýndir
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Aboriginal aesthetic American analysis appears artist attempt become blur body boredom bourgeois calls camera century cinema claim construction contemporary Cries critical culture Dash Daughters Deleuze desire difference discourse drawing Duchenne early effect emotions essay evidence example existence experience expression face facial fantasy female feminine feminist figure film gaze girl give hand human kind labor lack living logic look male meaning medical photography memory Moffatt mother movement narrative nature Night object painting Paris particular past photographs picture politics pose position possibility postmodern present production question refers relation remake representation represented response reveals says scientific seems sense sexual Sherman shock signs social space speak specific story Studies suggests takes theory thing thinking thought tion Trans truth turn vision visual woman women writing York