Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 16,Útgáfa 2Indiana University Press, 1994 |
From inside the book
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Síða 131
... cinema , including Hollywood movies . As Moffatt explains : " I learned to make films by watching them . A childhood spent glued to the television , then a diet of very commercial cinema through to avant - garde films . " Mary Poppins ...
... cinema , including Hollywood movies . As Moffatt explains : " I learned to make films by watching them . A childhood spent glued to the television , then a diet of very commercial cinema through to avant - garde films . " Mary Poppins ...
Síða 143
... cinema is thought . " The great directors of the cinema may be compared . . . with thinkers " ( Preface to the French Edition , Cinema 1 ) . For Eisenstein , " Montage thinking is inseparable from the general content of thinking as a ...
... cinema is thought . " The great directors of the cinema may be compared . . . with thinkers " ( Preface to the French Edition , Cinema 1 ) . For Eisenstein , " Montage thinking is inseparable from the general content of thinking as a ...
Síða 145
... cinema . Although adding time and movement to the image , this way of thinking cinema is closer to photography than theories reliant on narrative . What Deleuze and Guattari call “ signifiance ” is " never with- out a white wall upon ...
... cinema . Although adding time and movement to the image , this way of thinking cinema is closer to photography than theories reliant on narrative . What Deleuze and Guattari call “ signifiance ” is " never with- out a white wall upon ...
Efni
The Spaces of Sexuality and CRODICALS DEPT | 3 |
DISCOURSE 16 | 16 |
individuals | 25 |
10 aðrir hlutar ekki sýndir
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Aboriginal aesthetic American analysis appears artist attempt become blur body boredom bourgeois calls camera century cinema claim construction contemporary Cries critical culture Dash Daughters Deleuze desire difference discourse drawing Duchenne early effect emotions essay evidence example existence experience expression face facial fantasy female feminine feminist figure film gaze girl give hand human kind labor lack living logic look male meaning medical photography memory Moffatt mother movement narrative nature Night object painting Paris particular past photographs picture politics pose position possibility postmodern present production question refers relation remake representation represented response reveals says scientific seems sense sexual Sherman shock signs social space speak specific story Studies suggests takes theory thing thinking thought tion Trans truth turn vision visual woman women writing York