Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 16,Útgáfa 2Indiana University Press, 1994 |
From inside the book
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Síða 168
... blur draws the photo magneti- cally in the direction of art , even if only to permit an essentially primitive nature to emerge ( Camera 113-15 ) . In fact , blur con- denses for expressive ends proper the drama that all figurative ...
... blur draws the photo magneti- cally in the direction of art , even if only to permit an essentially primitive nature to emerge ( Camera 113-15 ) . In fact , blur con- denses for expressive ends proper the drama that all figurative ...
Síða 170
... blur confers a strong code upon the " message without a code " - the photograph in its raw state ( Barthes , " Le message " 128 ) and thus brings it closer to painting . - But something different happens once blur is contained ...
... blur confers a strong code upon the " message without a code " - the photograph in its raw state ( Barthes , " Le message " 128 ) and thus brings it closer to painting . - But something different happens once blur is contained ...
Síða 173
... Blur does not say : I am reality , in which you must believe . Nor does it say : I am the flaw in reality . It proposes a reality instantly doubled by a detour in relation to itself : a reconstructed sign , a sign of art that seeks to ...
... Blur does not say : I am reality , in which you must believe . Nor does it say : I am the flaw in reality . It proposes a reality instantly doubled by a detour in relation to itself : a reconstructed sign , a sign of art that seeks to ...
Efni
The Spaces of Sexuality and CRODICALS DEPT | 3 |
DISCOURSE 16 | 16 |
individuals | 25 |
10 aðrir hlutar ekki sýndir
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Aboriginal aesthetic American analysis appears artist attempt become blur body boredom bourgeois calls camera century cinema claim construction contemporary Cries critical culture Dash Daughters Deleuze desire difference discourse drawing Duchenne early effect emotions essay evidence example existence experience expression face facial fantasy female feminine feminist figure film gaze girl give hand human kind labor lack living logic look male meaning medical photography memory Moffatt mother movement narrative nature Night object painting Paris particular past photographs picture politics pose position possibility postmodern present production question refers relation remake representation represented response reveals says scientific seems sense sexual Sherman shock signs social space speak specific story Studies suggests takes theory thing thinking thought tion Trans truth turn vision visual woman women writing York