Discourse, Bindi 15,Útgáfur 2-31993 |
From inside the book
Niðurstöður 1 - 3 af 41
Síða 37
... scene which assures the division of the narrative scene from the scene of narration . By thematizing the conventional figures of desire and colo- nization at their most disintegrative juncture , Duras has provided an unblinking and ...
... scene which assures the division of the narrative scene from the scene of narration . By thematizing the conventional figures of desire and colo- nization at their most disintegrative juncture , Duras has provided an unblinking and ...
Síða 44
... scene seven years before the story of the lovers begins ; the child is eight years old . Suddenly a beggar woman looms out of the night shadows , throwing narration into a terrifying present tense : “ I run . I run more and more quickly ...
... scene seven years before the story of the lovers begins ; the child is eight years old . Suddenly a beggar woman looms out of the night shadows , throwing narration into a terrifying present tense : “ I run . I run more and more quickly ...
Síða 61
... scene in his memoir , after his father's death . At the same time , the son is clearly in love with his father , and idealizes him somewhere between the benevolent and the heroic . He wants us to see his father as a heroic figure and ...
... scene in his memoir , after his father's death . At the same time , the son is clearly in love with his father , and idealizes him somewhere between the benevolent and the heroic . He wants us to see his father as a heroic figure and ...
Efni
Maus Mourning and PostMemor PR 14 | 3 |
The Politics of Form and Subjectivity | 30 |
An Interview with Nancy K Miller | 51 |
Höfundarréttur | |
9 aðrir hlutar ekki sýndir
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