Discourse, Bindi 15,Útgáfur 2-31993 |
From inside the book
Niðurstöður 1 - 3 af 27
Síða 46
... genre to genre , work to work , they become increasingly isolated from their explanatory and temporal context . Narrators have only to speak a name or object to evoke an entire series of scenes from other stories : the " gold shoes ...
... genre to genre , work to work , they become increasingly isolated from their explanatory and temporal context . Narrators have only to speak a name or object to evoke an entire series of scenes from other stories : the " gold shoes ...
Síða 160
... genre ) demands a villainess ( following de Lauretis and Mulvey ) and in her failing to see what's as plain as plain can be : that Gary Skoloff is the closest thing to the villain of the piece , with Judge Sorkow a close second . But ...
... genre ) demands a villainess ( following de Lauretis and Mulvey ) and in her failing to see what's as plain as plain can be : that Gary Skoloff is the closest thing to the villain of the piece , with Judge Sorkow a close second . But ...
Síða 174
... genre , I find in Shohat's analysis an eerie sense of an " invisible hand " at work , rather than of agency on the part of directors . Conversely , one wonders at the extent of state support / legitimation given to a genre that evolved ...
... genre , I find in Shohat's analysis an eerie sense of an " invisible hand " at work , rather than of agency on the part of directors . Conversely , one wonders at the extent of state support / legitimation given to a genre that evolved ...
Efni
Maus Mourning and PostMemor PR 14 | 3 |
The Politics of Form and Subjectivity | 30 |
An Interview with Nancy K Miller | 51 |
Höfundarréttur | |
9 aðrir hlutar ekki sýndir
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