Discourse, Bindi 15,Útgáfur 2-31993 |
From inside the book
Niðurstöður 1 - 3 af 77
Síða 177
... film culture . This is not to suggest that Corrigan simply abandons traditional film scholarship in favor of some sort of new , improved “ hypercriti- cism . " If anything , Cinema without Walls is at its strongest when it ...
... film culture . This is not to suggest that Corrigan simply abandons traditional film scholarship in favor of some sort of new , improved “ hypercriti- cism . " If anything , Cinema without Walls is at its strongest when it ...
Síða 178
... film audience have now been explicitly thematized in popular films that reflect on various forms of spectatorship . Here he addresses the politics of positionality that these films construct . For example , Corrigan writes : " King of ...
... film audience have now been explicitly thematized in popular films that reflect on various forms of spectatorship . Here he addresses the politics of positionality that these films construct . For example , Corrigan writes : " King of ...
Síða 187
... film an under- standing essential for truly appreciating French film on all levels , but an aspect often overlooked by film theorists . - The sections dealing with Dulac and Epstein are composed of three chapters , while four are ...
... film an under- standing essential for truly appreciating French film on all levels , but an aspect often overlooked by film theorists . - The sections dealing with Dulac and Epstein are composed of three chapters , while four are ...
Efni
Maus Mourning and PostMemor PR 14 | 3 |
The Politics of Form and Subjectivity | 30 |
An Interview with Nancy K Miller | 51 |
Höfundarréttur | |
9 aðrir hlutar ekki sýndir
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