Discourse, Bindi 15,Útgáfur 2-31993 |
From inside the book
Niðurstöður 1 - 3 af 29
Síða 11
... aesthetic . In tak- ing us from documentary photographs to drawings of mice and cats , Spiegelman lays bare the levels of mediation that underlie all visual representational forms . But confronting these visual media with his father's ...
... aesthetic . In tak- ing us from documentary photographs to drawings of mice and cats , Spiegelman lays bare the levels of mediation that underlie all visual representational forms . But confronting these visual media with his father's ...
Síða 26
— Maus represents the aesthetic of the trauma fragment , the aesthetic of the testimonial chain an aesthetic that is indistin- guishable from the documentary . It is composed of individually framed fragments , each like a still picture ...
— Maus represents the aesthetic of the trauma fragment , the aesthetic of the testimonial chain an aesthetic that is indistin- guishable from the documentary . It is composed of individually framed fragments , each like a still picture ...
Síða 133
... aesthetics of jazz could take place , and without which the claim that jazz is an art form would be merely an abstraction or an incantation . The revivalists and modernists were slowly and collectively shaping and honing this new aesthetic ...
... aesthetics of jazz could take place , and without which the claim that jazz is an art form would be merely an abstraction or an incantation . The revivalists and modernists were slowly and collectively shaping and honing this new aesthetic ...
Efni
Maus Mourning and PostMemor PR 14 | 3 |
The Politics of Form and Subjectivity | 30 |
An Interview with Nancy K Miller | 51 |
Höfundarréttur | |
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