Discourse, Bindi 15,Útgáfur 2-31993 |
From inside the book
Niðurstöður 1 - 3 af 19
Síða 63
... Silverman : The best strategy for marking the permeability of the frame is to put things into it which don't normally belong there . Farocki : Paradoxically , yes . And in fact the strange paintings in the studio really are privileged ...
... Silverman : The best strategy for marking the permeability of the frame is to put things into it which don't normally belong there . Farocki : Paradoxically , yes . And in fact the strange paintings in the studio really are privileged ...
Síða 67
... Silverman : Yes , I agree — but then the " truth " of who Anna Karina is somehow becomes the " truth " of the character she plays . But how would you relate the acting in your own films to that in Godard's ? Farocki : I never found a ...
... Silverman : Yes , I agree — but then the " truth " of who Anna Karina is somehow becomes the " truth " of the character she plays . But how would you relate the acting in your own films to that in Godard's ? Farocki : I never found a ...
Síða 73
... Silverman : Of course the second idea behind Passion is how to make a film out of masterpieces of art . This second idea is closely related to the first , since the film's real project is somehow to make us " see " the music and " hear ...
... Silverman : Of course the second idea behind Passion is how to make a film out of masterpieces of art . This second idea is closely related to the first , since the film's real project is somehow to make us " see " the music and " hear ...
Efni
Maus Mourning and PostMemor PR 14 | 3 |
The Politics of Form and Subjectivity | 30 |
An Interview with Nancy K Miller | 51 |
Höfundarréttur | |
9 aðrir hlutar ekki sýndir
Aðrar útgáfur - View all
Common terms and phrases
aesthetic Anja apparatus argues Auschwitz Bartky bebop become Bilder body camera camera obscura camp cinema colonial context critical critical pedagogy culture death desire discourse dominant pedagogy Duras Duras's effect emotion essay fantasy Farocki feminine feminism feminist fiction figure film filmmaker Forster's French Freud gaze gender genre Godard grief Harun Farocki homosexuality human identity ideological India Song Isabelle jazz Jerzy Kristeva look male Marguerite Duras Martha Rosler masculine Maus Maus II meaning memory Metronome modern modernist mother mourning narration narrative object Passage to India Passion photograph picture political position postmodern produced psychoanalysis question racial Record Changer relation representation revivalists Routledge scene sense sexual shame Silverman social Spiegelman story Studies suggests swing swing music theoretical theory tion Trans Turim University of Wisconsin-Milwaukee vision visual Vithobai Vladek voice-over woman women words writing York