Discourse, Bindi 15,Útgáfur 2-31993 |
From inside the book
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Síða 16
... Maus and the two photos in Maus II . These three moments protrude from the narrative like unassimilated and unassimilable memories . In Maus , for example , the “ Prisoner " section literally sticks out because of its black pages which ...
... Maus and the two photos in Maus II . These three moments protrude from the narrative like unassimilated and unassimilable memories . In Maus , for example , the “ Prisoner " section literally sticks out because of its black pages which ...
Síða 19
... ( Maus 104 ) . Vladek keeps his wife's memory alive through the pictures of her he has all over his desk which , as his second wife complains , is " like a shrine . " The Trojan Lake photo of mother and son sets the stage for the personal ...
... ( Maus 104 ) . Vladek keeps his wife's memory alive through the pictures of her he has all over his desk which , as his second wife complains , is " like a shrine . " The Trojan Lake photo of mother and son sets the stage for the personal ...
Síða 20
... ( Maus 158 ) . Vladek did not read the papers Anja left behind , he only knows that she said : “ I wish my son , when he grows up , he will be interested by this " ( Maus 159 ) . This legacy was destroyed , and Maus itself can be seen as ...
... ( Maus 158 ) . Vladek did not read the papers Anja left behind , he only knows that she said : “ I wish my son , when he grows up , he will be interested by this " ( Maus 159 ) . This legacy was destroyed , and Maus itself can be seen as ...
Efni
Maus Mourning and PostMemor PR 14 | 3 |
The Politics of Form and Subjectivity | 30 |
An Interview with Nancy K Miller | 51 |
Höfundarréttur | |
9 aðrir hlutar ekki sýndir
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