Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 17,Útgáfa 31995 |
From inside the book
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Síða 43
... produced by a tiny elite for a vast and amorphous consuming public ; the self - reflective musical at- tempts to overcome this division through the myth of integration ” ( 337 ) . As she points out , the self - reflective American ...
... produced by a tiny elite for a vast and amorphous consuming public ; the self - reflective musical at- tempts to overcome this division through the myth of integration ” ( 337 ) . As she points out , the self - reflective American ...
Síða 58
... produced seventeen films in 1949 , twelve in 1950 , with an all - time low record of nine films in 1951.2 The United States produced between 356 and 383 feature films per year at that time ( Robertson 28 ) .3 The following essay will ...
... produced seventeen films in 1949 , twelve in 1950 , with an all - time low record of nine films in 1951.2 The United States produced between 356 and 383 feature films per year at that time ( Robertson 28 ) .3 The following essay will ...
Síða 121
... produced in 1912–13 in which insect puppets were featured now in an “ Italian " costume epic , now in a salon melodrama . While Starewicz's film stories were blatantly fictional , his insects looked perfectly natural ; in fact , at ...
... produced in 1912–13 in which insect puppets were featured now in an “ Italian " costume epic , now in a salon melodrama . While Starewicz's film stories were blatantly fictional , his insects looked perfectly natural ; in fact , at ...
Efni
Views from the PostFutureSoviet Eastern European Cinema | 3 |
Jewish Identity in PostCommunist Hungarian Cinema | 24 |
Why Stalinist Musicals? | 38 |
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