Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 17,Útgáfa 31995 |
From inside the book
Niðurstöður 1 - 3 af 32
Síða 47
... narrative then spends its basic energy on solving the political problem , and once closure of the political narrative is achieved , the love interest narrative is resur- rected and closed , with the aperture ending the film . The ...
... narrative then spends its basic energy on solving the political problem , and once closure of the political narrative is achieved , the love interest narrative is resur- rected and closed , with the aperture ending the film . The ...
Síða 89
... narrative exploitation — its signifying potential has been so effectively used up — that it is dispensed with when it disappears through the window . This level of narrative intensity assigned to a single object evokes André Bazin's ...
... narrative exploitation — its signifying potential has been so effectively used up — that it is dispensed with when it disappears through the window . This level of narrative intensity assigned to a single object evokes André Bazin's ...
Síða 131
... narrative ( and even after it3 ) , O'Rourke has not appeared on screen . His “ locating ” narrative reveals neither his race nor his national origin : one can infer that he is among the " Western men " he alludes to , but even this ...
... narrative ( and even after it3 ) , O'Rourke has not appeared on screen . His “ locating ” narrative reveals neither his race nor his national origin : one can infer that he is among the " Western men " he alludes to , but even this ...
Efni
Views from the PostFutureSoviet Eastern European Cinema | 3 |
Jewish Identity in PostCommunist Hungarian Cinema | 24 |
Why Stalinist Musicals? | 38 |
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