Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 17,Útgáfa 31995 |
From inside the book
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Síða 76
Berkeley Journal for Theoretical Studies in Media and Culture. glasnost rebelled against the cynical slickness of the era of stagna- tion , with all the carefully circumscribed half - truths and bland metaphors . Glasnost opened with an ...
Berkeley Journal for Theoretical Studies in Media and Culture. glasnost rebelled against the cynical slickness of the era of stagna- tion , with all the carefully circumscribed half - truths and bland metaphors . Glasnost opened with an ...
Síða 77
... glasnost common place . It turned more self - referential and reflected on the making and unmaking of the cinematic illusion , and on the early images of glasnost that quickly became history . In the very recent films the carnivalesque ...
... glasnost common place . It turned more self - referential and reflected on the making and unmaking of the cinematic illusion , and on the early images of glasnost that quickly became history . In the very recent films the carnivalesque ...
Síða 78
... glasnost or post - glasnost art film can escape the cruel and stylized sexuality à la Fassbinder , Lynch , or Bertolucci . Occasionally it appears that the new Russian films are less about sexuality per se and more about an erotic ...
... glasnost or post - glasnost art film can escape the cruel and stylized sexuality à la Fassbinder , Lynch , or Bertolucci . Occasionally it appears that the new Russian films are less about sexuality per se and more about an erotic ...
Efni
Views from the PostFutureSoviet Eastern European Cinema | 3 |
Jewish Identity in PostCommunist Hungarian Cinema | 24 |
Why Stalinist Musicals? | 38 |
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