Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 17,Útgáfa 31995 |
From inside the book
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Síða 43
... Filmic Operations in the Stalinist Musicals Aside from the sociopolitical phenomena that made musicals a staple of the Stalinist cinema , the Stalinist musicals exhibit a spec- trum of filmic operations that should make them of interest ...
... Filmic Operations in the Stalinist Musicals Aside from the sociopolitical phenomena that made musicals a staple of the Stalinist cinema , the Stalinist musicals exhibit a spec- trum of filmic operations that should make them of interest ...
Síða 44
... filmic reality which extends into reality , of a spectator's reality that can be created or constructed just like a filmic reality . Feuer also discusses the charac- teristics of a " myth of spontaneity " in the art musical , of ...
... filmic reality which extends into reality , of a spectator's reality that can be created or constructed just like a filmic reality . Feuer also discusses the charac- teristics of a " myth of spontaneity " in the art musical , of ...
Síða 45
... filmic audience and the spectator . Tractor - Drivers uses a long pull - back tracking shot down the wedding table ... filmic into the Socialist Realist reality . Even in Member of the Government ( Zarki and Heifits , 1940 ) , when ...
... filmic audience and the spectator . Tractor - Drivers uses a long pull - back tracking shot down the wedding table ... filmic into the Socialist Realist reality . Even in Member of the Government ( Zarki and Heifits , 1940 ) , when ...
Efni
Views from the PostFutureSoviet Eastern European Cinema | 3 |
Jewish Identity in PostCommunist Hungarian Cinema | 24 |
Why Stalinist Musicals? | 38 |
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aesthetic Alexandrov American Aoi's appears audience Azhaev Bauer bourgeois British Film Institute camera Carnival Night cinema classical comedy context culture D. W. Griffith Dennis O'Rourke director discourse documentary dramatic editing Eisenstein essays example feminist criticism festival fiction Figure Film Noir film theory film's filmic filmmaker genre German glasnost Griffith Hart heroes heroine Holocaust Hungarian Hungary ideological interview Jewish Jews kolhoz Lahusen lesbian literary literature locate Lyubov Orlova Marina Ladynina melodrama Moscow myth narrative national identity novel O'Rourke O'Rourke's offers played political popular prerevolutionary produced prostitutes Pudovkin's readers reality relationship representation reveals revolutionary Russian satire scene screen self-reflexivity sexual shot social Socialist Realist Soviet Film Soviet Union Soviet woman specific spectator Stalin Prize Stalinist Stalinist musicals Starewicz story style television Thai tion Turovskaya University of Wisconsin-Milwaukee utopia Volga Volga-Volga Western Woman of Bangkok women York