Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 17,Útgáfa 31995 |
From inside the book
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Síða 42
... film critics in the former Soviet Union found the films odious examples of “ false cinema which glamourised life " ( 11 ) . Woolf continues : ― This is at once true and untrue . Undoubtedly these films pan- dered to the taste of Stalin ...
... film critics in the former Soviet Union found the films odious examples of “ false cinema which glamourised life " ( 11 ) . Woolf continues : ― This is at once true and untrue . Undoubtedly these films pan- dered to the taste of Stalin ...
Síða 44
... films . However , the integra- tion of the audience into the Socialist Realist film operates in a much more literal sense . In the Socialist Realist film , the integration of the audience also occurs through the aperture at the end of the ...
... films . However , the integra- tion of the audience into the Socialist Realist film operates in a much more literal sense . In the Socialist Realist film , the integration of the audience also occurs through the aperture at the end of the ...
Síða 100
... Film . Madison : U of Wisconsin P , 1985 . Buchanan , Andrew . Film : The Way of the Cinema . London : Pittman , 1932 . Burch , Noël . " The Institutional Mode of Representation and the Soviet Response . " October 11 ( 1979 ) : 77-96 ...
... Film . Madison : U of Wisconsin P , 1985 . Buchanan , Andrew . Film : The Way of the Cinema . London : Pittman , 1932 . Burch , Noël . " The Institutional Mode of Representation and the Soviet Response . " October 11 ( 1979 ) : 77-96 ...
Efni
Views from the PostFutureSoviet Eastern European Cinema | 3 |
Jewish Identity in PostCommunist Hungarian Cinema | 24 |
Why Stalinist Musicals? | 38 |
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aesthetic Alexandrov American Aoi's appears audience Azhaev Bauer bourgeois British Film Institute camera Carnival Night cinema classical comedy context culture D. W. Griffith Dennis O'Rourke director discourse documentary dramatic editing Eisenstein essays example feminist criticism festival fiction Figure Film Noir film theory film's filmic filmmaker genre German glasnost Griffith Hart heroes heroine Holocaust Hungarian Hungary ideological interview Jewish Jews kolhoz Lahusen lesbian literary literature locate Lyubov Orlova Marina Ladynina melodrama Moscow myth narrative national identity novel O'Rourke O'Rourke's offers played political popular prerevolutionary produced prostitutes Pudovkin's readers reality relationship representation reveals revolutionary Russian satire scene screen self-reflexivity sexual shot social Socialist Realist Soviet Film Soviet Union Soviet woman specific spectator Stalin Prize Stalinist Stalinist musicals Starewicz story style television Thai tion Turovskaya University of Wisconsin-Milwaukee utopia Volga Volga-Volga Western Woman of Bangkok women York