Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 17,Útgáfa 31995 |
From inside the book
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Síða 4
... Discourse is part of what Svetlana Boym describes as a nostalgia for , as well as a simultaneous critique of , postwar Eastern Europe and the former Soviet Union . We are deeply invested in the kind of retrieval Catherine Portuges de ...
... Discourse is part of what Svetlana Boym describes as a nostalgia for , as well as a simultaneous critique of , postwar Eastern Europe and the former Soviet Union . We are deeply invested in the kind of retrieval Catherine Portuges de ...
Síða 11
... discourse that allows her to reread into the patriarchal machinations a " progres- sive " meaning . This is why feminist criticism prefers to deal not with traditional " characters " or " images " but with the discourses of femi- ninity ...
... discourse that allows her to reread into the patriarchal machinations a " progres- sive " meaning . This is why feminist criticism prefers to deal not with traditional " characters " or " images " but with the discourses of femi- ninity ...
Síða 39
... discourse ; however , she is never free of the greater discourse of Stalinism . Therefore , I must claim to be doing a subversive reading , similar to that of Place ,. From : Epokha i Kino . Izdatsva Politicheskoi literaturi by Grigori ...
... discourse ; however , she is never free of the greater discourse of Stalinism . Therefore , I must claim to be doing a subversive reading , similar to that of Place ,. From : Epokha i Kino . Izdatsva Politicheskoi literaturi by Grigori ...
Efni
Views from the PostFutureSoviet Eastern European Cinema | 3 |
Jewish Identity in PostCommunist Hungarian Cinema | 24 |
Why Stalinist Musicals? | 38 |
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aesthetic Alexandrov American Aoi's appears audience Azhaev Bauer bourgeois British Film Institute camera Carnival Night cinema classical comedy context culture D. W. Griffith Dennis O'Rourke director discourse documentary dramatic editing Eisenstein essays example feminist criticism festival fiction Figure Film Noir film theory film's filmic filmmaker genre German glasnost Griffith Hart heroes heroine Holocaust Hungarian Hungary ideological interview Jewish Jews kolhoz Lahusen lesbian literary literature locate Lyubov Orlova Marina Ladynina melodrama Moscow myth narrative national identity novel O'Rourke O'Rourke's offers played political popular prerevolutionary produced prostitutes Pudovkin's readers reality relationship representation reveals revolutionary Russian satire scene screen self-reflexivity sexual shot social Socialist Realist Soviet Film Soviet Union Soviet woman specific spectator Stalin Prize Stalinist Stalinist musicals Starewicz story style television Thai tion Turovskaya University of Wisconsin-Milwaukee utopia Volga Volga-Volga Western Woman of Bangkok women York