Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 17,Útgáfa 31995 |
From inside the book
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Síða 10
... bourgeois culture openly professes capitalism , then the foundational opera- tion of bourgeois ideology consists in “ ex - nomination , ” in the “ era- sure of its naming " " the bourgeoisie is defined as the social class which does not ...
... bourgeois culture openly professes capitalism , then the foundational opera- tion of bourgeois ideology consists in “ ex - nomination , ” in the “ era- sure of its naming " " the bourgeoisie is defined as the social class which does not ...
Síða 15
... Bourgeois civilization , once unmasked by Kollontai , is now critiqued along different lines by radical - left movements . It brought " under cover ” a Marxist - not so much materialist as material basis and equipped its favorite ...
... Bourgeois civilization , once unmasked by Kollontai , is now critiqued along different lines by radical - left movements . It brought " under cover ” a Marxist - not so much materialist as material basis and equipped its favorite ...
Síða 103
... bourgeois cinema by , of , and for the middle class , a cinema virtually unseen by the Russian masses . * The Russian prerevolutionary cinema is bourgeois cinema but not in the same way that the American cinema of the same period is ...
... bourgeois cinema by , of , and for the middle class , a cinema virtually unseen by the Russian masses . * The Russian prerevolutionary cinema is bourgeois cinema but not in the same way that the American cinema of the same period is ...
Efni
Views from the PostFutureSoviet Eastern European Cinema | 3 |
Jewish Identity in PostCommunist Hungarian Cinema | 24 |
Why Stalinist Musicals? | 38 |
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aesthetic Alexandrov American Aoi's appears audience Azhaev Bauer bourgeois British Film Institute camera Carnival Night cinema classical comedy context culture D. W. Griffith Dennis O'Rourke director discourse documentary dramatic editing Eisenstein essays example feminist criticism festival fiction Figure Film Noir film theory film's filmic filmmaker genre German glasnost Griffith Hart heroes heroine Holocaust Hungarian Hungary ideological interview Jewish Jews kolhoz Lahusen lesbian literary literature locate Lyubov Orlova Marina Ladynina melodrama Moscow myth narrative national identity novel O'Rourke O'Rourke's offers played political popular prerevolutionary produced prostitutes Pudovkin's readers reality relationship representation reveals revolutionary Russian satire scene screen self-reflexivity sexual shot social Socialist Realist Soviet Film Soviet Union Soviet woman specific spectator Stalin Prize Stalinist Stalinist musicals Starewicz story style television Thai tion Turovskaya University of Wisconsin-Milwaukee utopia Volga Volga-Volga Western Woman of Bangkok women York