Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 17,Útgáfa 31995 |
From inside the book
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Síða 71
... Aesthetic Relation of Art to Reality . " It summarizes Chernyshevsky's anti - Hegelian , monistic , and " utilitarian " aesthetics that were to become a political slogan for generations . " The term sots - art ( sots being short for ...
... Aesthetic Relation of Art to Reality . " It summarizes Chernyshevsky's anti - Hegelian , monistic , and " utilitarian " aesthetics that were to become a political slogan for generations . " The term sots - art ( sots being short for ...
Síða 76
... aesthetic revenge in the 1980s , eclecticism became a single concept that united many directors , artists , and writers of the time . Stylistic impurity and eclecticism were anti- utopian gestures , subversions of the grand styles of ...
... aesthetic revenge in the 1980s , eclecticism became a single concept that united many directors , artists , and writers of the time . Stylistic impurity and eclecticism were anti- utopian gestures , subversions of the grand styles of ...
Síða 161
... aesthetic artifact itself ( in this case , the film ) by situating it within a particular historical milieu , a purpose which he accomplishes with great skill . Nevertheless , while Berman addresses clearly the formalist literary ...
... aesthetic artifact itself ( in this case , the film ) by situating it within a particular historical milieu , a purpose which he accomplishes with great skill . Nevertheless , while Berman addresses clearly the formalist literary ...
Efni
Views from the PostFutureSoviet Eastern European Cinema | 3 |
Jewish Identity in PostCommunist Hungarian Cinema | 24 |
Why Stalinist Musicals? | 38 |
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aesthetic Alexandrov American Aoi's appears audience Azhaev Bauer bourgeois British Film Institute camera Carnival Night cinema classical comedy context culture D. W. Griffith Dennis O'Rourke director discourse documentary dramatic editing Eisenstein essays example feminist criticism festival fiction Figure Film Noir film theory film's filmic filmmaker genre German glasnost Griffith Hart heroes heroine Holocaust Hungarian Hungary ideological interview Jewish Jews kolhoz Lahusen lesbian literary literature locate Lyubov Orlova Marina Ladynina melodrama Moscow myth narrative national identity novel O'Rourke O'Rourke's offers played political popular prerevolutionary produced prostitutes Pudovkin's readers reality relationship representation reveals revolutionary Russian satire scene screen self-reflexivity sexual shot social Socialist Realist Soviet Film Soviet Union Soviet woman specific spectator Stalin Prize Stalinist Stalinist musicals Starewicz story style television Thai tion Turovskaya University of Wisconsin-Milwaukee utopia Volga Volga-Volga Western Woman of Bangkok women York