Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 17,Útgáfa 31995 |
From inside the book
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Síða 18
... Stalin appears . ― · Hurrah comrade Stalin ! - Hurrah for the great Stalin ! Greetings to comrade Stalin ! Sokolova loses the notebook with her presentation , and Stalin , smiling , invites her to speak . Sokolova's concluding speech is ...
... Stalin appears . ― · Hurrah comrade Stalin ! - Hurrah for the great Stalin ! Greetings to comrade Stalin ! Sokolova loses the notebook with her presentation , and Stalin , smiling , invites her to speak . Sokolova's concluding speech is ...
Síða 20
... Stalin . As always in Soviet cinema , the image is " naturalized " through images of nature . Stalin is alone in the winter forest , on a bench ( where , according to the official documentary photograph , he sat together with Lenin ) ...
... Stalin . As always in Soviet cinema , the image is " naturalized " through images of nature . Stalin is alone in the winter forest , on a bench ( where , according to the official documentary photograph , he sat together with Lenin ) ...
Síða 62
... Stalin Prize , albeit third class ( Trifonov 12 ) . Azhaev's archives confirm this statement : Far from Moscow was a bestseller in 1948. This Stalin Prize received the true support of the masses . Here is a reader's letter of 1949 : You ...
... Stalin Prize , albeit third class ( Trifonov 12 ) . Azhaev's archives confirm this statement : Far from Moscow was a bestseller in 1948. This Stalin Prize received the true support of the masses . Here is a reader's letter of 1949 : You ...
Efni
Views from the PostFutureSoviet Eastern European Cinema | 3 |
Jewish Identity in PostCommunist Hungarian Cinema | 24 |
Why Stalinist Musicals? | 38 |
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aesthetic Alexandrov American Aoi's appears audience Azhaev Bauer bourgeois British Film Institute camera Carnival Night cinema classical comedy context culture D. W. Griffith Dennis O'Rourke director discourse documentary dramatic editing Eisenstein essays example feminist criticism festival fiction Figure Film Noir film theory film's filmic filmmaker genre German glasnost Griffith Hart heroes heroine Holocaust Hungarian Hungary ideological interview Jewish Jews kolhoz Lahusen lesbian literary literature locate Lyubov Orlova Marina Ladynina melodrama Moscow myth narrative national identity novel O'Rourke O'Rourke's offers played political popular prerevolutionary produced prostitutes Pudovkin's readers reality relationship representation reveals revolutionary Russian satire scene screen self-reflexivity sexual shot social Socialist Realist Soviet Film Soviet Union Soviet woman specific spectator Stalin Prize Stalinist Stalinist musicals Starewicz story style television Thai tion Turovskaya University of Wisconsin-Milwaukee utopia Volga Volga-Volga Western Woman of Bangkok women York