Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 17,Útgáfa 31995 |
From inside the book
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Síða 127
... O'Rourke's aggressive publiciz- ing thereof ) , and in part to his declaring the film , both in the opening credits and in interviews , as a " documentary fiction . " That O'Rourke would insist on such a seemingly oxymoronic label for ...
... O'Rourke's aggressive publiciz- ing thereof ) , and in part to his declaring the film , both in the opening credits and in interviews , as a " documentary fiction . " That O'Rourke would insist on such a seemingly oxymoronic label for ...
Síða 131
... O'Rourke's economic relationship with Aoi , there is , in fact , no difference between him and those 5,000 other men . As Cynthia Enloe and others have pointed out , the Thai prostitution industry is in large part financed by these men ...
... O'Rourke's economic relationship with Aoi , there is , in fact , no difference between him and those 5,000 other men . As Cynthia Enloe and others have pointed out , the Thai prostitution industry is in large part financed by these men ...
Síða 135
... O'Rourke's presence may be actively shaping the content of the scene . Their subsequent conversation about the bars similarly implicates O'Rourke as an active participant . Whether or not the aunt knows that O'Rourke met Aoi in just ...
... O'Rourke's presence may be actively shaping the content of the scene . Their subsequent conversation about the bars similarly implicates O'Rourke as an active participant . Whether or not the aunt knows that O'Rourke met Aoi in just ...
Efni
Views from the PostFutureSoviet Eastern European Cinema | 3 |
Jewish Identity in PostCommunist Hungarian Cinema | 24 |
Why Stalinist Musicals? | 38 |
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aesthetic Alexandrov American Aoi's appears audience Azhaev Bauer bourgeois British Film Institute camera Carnival Night cinema classical comedy context culture D. W. Griffith Dennis O'Rourke director discourse documentary dramatic editing Eisenstein essays example feminist criticism festival fiction Figure Film Noir film theory film's filmic filmmaker genre German glasnost Griffith Hart heroes heroine Holocaust Hungarian Hungary ideological interview Jewish Jews kolhoz Lahusen lesbian literary literature locate Lyubov Orlova Marina Ladynina melodrama Moscow myth narrative national identity novel O'Rourke O'Rourke's offers played political popular prerevolutionary produced prostitutes Pudovkin's readers reality relationship representation reveals revolutionary Russian satire scene screen self-reflexivity sexual shot social Socialist Realist Soviet Film Soviet Union Soviet woman specific spectator Stalin Prize Stalinist Stalinist musicals Starewicz story style television Thai tion Turovskaya University of Wisconsin-Milwaukee utopia Volga Volga-Volga Western Woman of Bangkok women York