Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 17,Útgáfa 31995 |
From inside the book
Niðurstöður 1 - 3 af 22
Síða 53
... Night , " Comrade Ogurtsov " addresses the specta- tors . But theatrical projection does not disappear during the ... Night , compensates for the absence of an ordinary family . It is true that Ogurtsov in Carnival Night reveals that he ...
... Night , " Comrade Ogurtsov " addresses the specta- tors . But theatrical projection does not disappear during the ... Night , compensates for the absence of an ordinary family . It is true that Ogurtsov in Carnival Night reveals that he ...
Síða 54
... Night as well . Ogurtsov is the 1956 model of “ Comrade Byvalov , " and the role is played by the same actor , Ilinsky . Ogurtsov wants to organize the carnival according to the traditional canon , with a speech and lectures , without ...
... Night as well . Ogurtsov is the 1956 model of “ Comrade Byvalov , " and the role is played by the same actor , Ilinsky . Ogurtsov wants to organize the carnival according to the traditional canon , with a speech and lectures , without ...
Síða 64
... Nights , where the tale was interrupted at the most interesting moment and where one had to wait for the next night . ( AA ) 12 The narrator of Azhaev's Far from Moscow is a Scheherezade of the Soviet 1940s . What about the film ? Maya ...
... Nights , where the tale was interrupted at the most interesting moment and where one had to wait for the next night . ( AA ) 12 The narrator of Azhaev's Far from Moscow is a Scheherezade of the Soviet 1940s . What about the film ? Maya ...
Efni
Views from the PostFutureSoviet Eastern European Cinema | 3 |
Jewish Identity in PostCommunist Hungarian Cinema | 24 |
Why Stalinist Musicals? | 38 |
6 aðrir hlutar ekki sýndir
Aðrar útgáfur - View all
Common terms and phrases
aesthetic Alexandrov American Aoi's appears audience Azhaev Bauer bourgeois British Film Institute camera Carnival Night cinema classical comedy context culture D. W. Griffith Dennis O'Rourke director discourse documentary dramatic editing Eisenstein essays example feminist criticism festival fiction Figure Film Noir film theory film's filmic filmmaker genre German glasnost Griffith Hart heroes heroine Holocaust Hungarian Hungary ideological interview Jewish Jews kolhoz Lahusen lesbian literary literature locate Lyubov Orlova Marina Ladynina melodrama Moscow myth narrative national identity novel O'Rourke O'Rourke's offers played political popular prerevolutionary produced prostitutes Pudovkin's readers reality relationship representation reveals revolutionary Russian satire scene screen self-reflexivity sexual shot social Socialist Realist Soviet Film Soviet Union Soviet woman specific spectator Stalin Prize Stalinist Stalinist musicals Starewicz story style television Thai tion Turovskaya University of Wisconsin-Milwaukee utopia Volga Volga-Volga Western Woman of Bangkok women York