Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 17,Útgáfa 31995 |
From inside the book
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Síða 62
... Moscow was a bestseller in 1948. This Stalin Prize received the true support of the masses . Here is a reader's letter of 1949 : You know that people liked Far from Moscow ; but what you don't know is that this book was torn to pieces ...
... Moscow was a bestseller in 1948. This Stalin Prize received the true support of the masses . Here is a reader's letter of 1949 : You know that people liked Far from Moscow ; but what you don't know is that this book was torn to pieces ...
Síða 67
... Moscow in January 1951 , is more explicit . The author , M. Krukovskaya , seems to know Azhaev personally : I saw Far from Moscow on the screen but I will tell you honestly that the film left no particular impression on me . One should ...
... Moscow in January 1951 , is more explicit . The author , M. Krukovskaya , seems to know Azhaev personally : I saw Far from Moscow on the screen but I will tell you honestly that the film left no particular impression on me . One should ...
Síða 73
... Moscow . A Novel in Three Parts . Trans . R. Prokofieva . Moscow : Foreign Languages Publishing House , 1950 . Baudin , Antoine , and Leonid Heller . " Le corps et ses images dans le réalisme socialiste " [ The Body and Its Images in ...
... Moscow . A Novel in Three Parts . Trans . R. Prokofieva . Moscow : Foreign Languages Publishing House , 1950 . Baudin , Antoine , and Leonid Heller . " Le corps et ses images dans le réalisme socialiste " [ The Body and Its Images in ...
Efni
Views from the PostFutureSoviet Eastern European Cinema | 3 |
Jewish Identity in PostCommunist Hungarian Cinema | 24 |
Why Stalinist Musicals? | 38 |
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aesthetic Alexandrov American Aoi's appears audience Azhaev Bauer bourgeois British Film Institute camera Carnival Night cinema classical comedy context culture D. W. Griffith Dennis O'Rourke director discourse documentary dramatic editing Eisenstein essays example feminist criticism festival fiction Figure Film Noir film theory film's filmic filmmaker genre German glasnost Griffith Hart heroes heroine Holocaust Hungarian Hungary ideological interview Jewish Jews kolhoz Lahusen lesbian literary literature locate Lyubov Orlova Marina Ladynina melodrama Moscow myth narrative national identity novel O'Rourke O'Rourke's offers played political popular prerevolutionary produced prostitutes Pudovkin's readers reality relationship representation reveals revolutionary Russian satire scene screen self-reflexivity sexual shot social Socialist Realist Soviet Film Soviet Union Soviet woman specific spectator Stalin Prize Stalinist Stalinist musicals Starewicz story style television Thai tion Turovskaya University of Wisconsin-Milwaukee utopia Volga Volga-Volga Western Woman of Bangkok women York