Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 17,Útgáfa 31995 |
From inside the book
Niðurstöður 1 - 3 af 5
Síða 41
... Marina Ladynina . . . . Pyriev also worked with Dunayevsky who had enough flair to feel the different na- ture of his pictures . In Pyriev's films Dunayevsky does not offer suites of developed musical drama . The director didn't much ...
... Marina Ladynina . . . . Pyriev also worked with Dunayevsky who had enough flair to feel the different na- ture of his pictures . In Pyriev's films Dunayevsky does not offer suites of developed musical drama . The director didn't much ...
Síða 42
... Marina Ladynina was his wife . They lived together for almost two decades and Pyriev filmed her in picture after picture " ( Woolf 11 ) . Together , Pyriev , Ladynina , and Dunayevsky worked on The Rich Bride ( 1938 ) , Tractor ...
... Marina Ladynina was his wife . They lived together for almost two decades and Pyriev filmed her in picture after picture " ( Woolf 11 ) . Together , Pyriev , Ladynina , and Dunayevsky worked on The Rich Bride ( 1938 ) , Tractor ...
Síða 43
... Marina Ladynina in the musical genre . Filmic Operations in the Stalinist Musicals Aside from the sociopolitical phenomena that made musicals a staple of the Stalinist cinema , the Stalinist musicals exhibit a spec- trum of filmic ...
... Marina Ladynina in the musical genre . Filmic Operations in the Stalinist Musicals Aside from the sociopolitical phenomena that made musicals a staple of the Stalinist cinema , the Stalinist musicals exhibit a spec- trum of filmic ...
Efni
Views from the PostFutureSoviet Eastern European Cinema | 3 |
Jewish Identity in PostCommunist Hungarian Cinema | 24 |
Why Stalinist Musicals? | 38 |
6 aðrir hlutar ekki sýndir
Aðrar útgáfur - View all
Common terms and phrases
aesthetic Alexandrov American Aoi's appears audience Azhaev Bauer bourgeois British Film Institute camera Carnival Night cinema classical comedy context culture D. W. Griffith Dennis O'Rourke director discourse documentary dramatic editing Eisenstein essays example feminist criticism festival fiction Figure Film Noir film theory film's filmic filmmaker genre German glasnost Griffith Hart heroes heroine Holocaust Hungarian Hungary ideological interview Jewish Jews kolhoz Lahusen lesbian literary literature locate Lyubov Orlova Marina Ladynina melodrama Moscow myth narrative national identity novel O'Rourke O'Rourke's offers played political popular prerevolutionary produced prostitutes Pudovkin's readers reality relationship representation reveals revolutionary Russian satire scene screen self-reflexivity sexual shot social Socialist Realist Soviet Film Soviet Union Soviet woman specific spectator Stalin Prize Stalinist Stalinist musicals Starewicz story style television Thai tion Turovskaya University of Wisconsin-Milwaukee utopia Volga Volga-Volga Western Woman of Bangkok women York